Just select the text in question and choose a color from the Font Color dropdown in the Font group (on the Home tab). In Word 2007, this option's on the Formatting toolbar. Excerpted from, August/September 2011 (issue 43). In addition to the HTML version of the excerpt below, you can also that retains the full design of the magazine. This PDF is best viewed in Adobe Acrobat or the free In the, I wrote about type effects that relied on InDesign’s Pathfinder tools. I’d like to expand upon that by talking about type treatments that use InDesign’s transparency effects. Working with Gradients Though simple enough, gradients can be tricky. Assuming you want to affect all the text in a text frame, select the frame with the Selection tool, then click the Formatting affects text button (either at the bottom of the Tool panel or the top of the Swatches panel). That way your text won’t appear as an inverse selection, and you’ll be able to better evaluate the result. When creating a gradient, it helps to pull the Gradient panel out of the dock, so that you can have Gradient and Swatches open simultaneously. Start out by applying the standard black and white gradient to your selection: Click the gradient swatch in the upper left corner of the Gradient panel, or press the period (dot) on your keyboard to apply the default, or last-used gradient. To change the colors, click a color stop at the bottom of the gradient bar, then Option/Alt-click the color you want in the Swatches panel. You can add more colors to the gradient by clicking on the bottom of the Gradient bar. ![]() To remove colors, drag them off the gradient bar. To determine how gradually or swiftly one color transitions to another, drag the diamond slider on the top of the gradient bar (Figure 1). Their position indicates the point at which there is 50% of each color. Figure 1: Once the gradient is applied, drag over the text with the Gradient tool to determine its direction. In this example, to give the words more dimension, I’ve also added Inner Shadow, an Outer Glow, and Satin Effects. Choosing Formatting affects text makes it easier to see what you’re doing when creating gradients; tearing off the Gradient panel allows you to more easily choose colors from the Swatches panel. When you first apply the gradient, it ranges from the left side of the frame to the right; that is, if your text only fills the left half of the frame, you’ll only see the left half of the gradient in the letters. To have the gradient play out across the whole word or phrase, choose the Gradient tool in the Tool panel (or press G) and drag across your selection in the direction you want the gradient to go. If you drag beyond the bounds of the your selection, the gradient continues outside the letter shapes, and you’ll see it only within the letters. Quicken for mac 2015 change account number. Once you’ve made a gradient you like, drag its swatch from the Gradient panel to the Swatches panel to save it. Make sure you reapply the gradient to the text by clicking the swatch you just made. Mts converter torrent mac. - Fixed crashing issues on OS X 10.5. ![]() Though this won’t affect anything visually, it does ensure that the gradient on the text is tagged with the color swatch itself. That way, you can update the gradient through the Swatches panel (double click on the gradient swatch) and have it update wherever it’s applied in the document (including the text). Bevel and Emboss Bevel and Emboss gives your text a raised, or even metallic look (Figure 2). It can look corny, but sometimes the added dimension really lifts a title treatment. What’s interesting and different about this example — and what I hope will give you food for thought — is that I’m using an Outer Bevel to make the type look like it’s being pushed out of the background (Figure 3). Also, the fill color of the text is white and its blend mode Multiply, effectively making the text fill disappear — all we’re actually seeing are the effects themselves. How to get a pdf as a choice in print area for mac 2017. For some texture, I’ve added an inner shadow with 10% noise. Figure 2: Note that the effect is applied to the Text, not the Object. The color of the text is set to Paper and its Blend Mode to Multiply, which neutralizes white, so that all we see are the effects. Figure 3: Settings like the ones below will give you the look you see in the Figure 2 “WRATH” example. Type on a Path Options This effect is a variation of the text on a circle theme. Rather than your everyday circular text, I’ve used the often-overlooked Type on a Path options, which you reach by double-clicking the Type on a Path tool. As well as Skew (which I’ve chosen in Figure 4), there are also Rainbow (that’s the one you normally see), 3-D Ribbon, Stair Step, and Gravity options. Why doesn’t Illustrator have these? While the results can be a bit unpredictable, they’re worth checking out. Figure 4: InDesign’s Type on a Path effects are the type options that time forgot.
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